Thomas Mann describes Venice in his novel Der Tod in Venedig. The protagonist, Gustav von Aschenbach, arrives in Venice at the beginning of the summer; although the city is surrended by a sultry atmosphere because of the heat and the cholera, it’s still beautiful and surprising. Venice is compared to a queen of the see and a tourist can appraciate the arrival only if he comes from the see.
“So sah er denn wieder […], jene blendende Kmposition phantastischen Bauwerks, welche die Republik den ehrfürchtigen Blicken nahender Seefahrer entgegenstellte: […], und anschauend bedachte er, dass zu Lande, auf dem Bahnhof in Venedig anlangen einen Palast durch eine Hintertür betreten heiße, und dass man nicht anders, als wie nun er, als zu Schiffe, als über das hohe Meer die unwahrscheinlichste der Städte erreichen sollte.”
Claude Monet, one of the most important representative of the Impressionism, visited Venice in 1908. According to the artist, the water expresses the sense of relativity of our being because reflections change continuously and because it seems to be always the same, but that’s not true. He describes Venice as the impression in stone. Monet painted the famous Palazzo Ducale. Venice is shown as perfect because its image changes every second and the artist can reach the “escaping moment”.